Monday, September 8, 2014

Fall Session - Theatrical Belly Dance

Date:  September 25 - December 4
              7:30 pm - 8:30 pm
               (ten classes - no class 11/27)

Location: Bright Star World Dance
                     108 High Street, 3rd Floor
                     Portland, ME

Cost: $90 Full session (ten classes)/$10 drop in.


Theatrical belly dance blends the emotion, drama and storytelling of the theater with the beautifully passionate and expressive art of belly dance. By connecting emotion with movement through a combination of dance drills and improvisational theater exercises the dancer discovers, and learns to express, their creative voice.

Each class includes work with foundational belly dance movements and improvisational theater exercises.  Classes are conducted to live music.

During this session students will co-create a performance piece to be presented at this year's Snowflakes & Shimmies.

The classes are open to beginner and intermediate belly dance students. Students will need to dress in comfortable clothing that allows a wide freedom of movement.

Each individual brings their own history and personal story to the dance. In recognition of this I seek to create a safe space for students to explore, and step beyond, the current boundaries of their dance.

All genders are welcome.


Theatrical Belly Dance - Fall 2014

Sunday, July 13, 2014

The Art of the Drum Solo with Eric LaPerna of Okbari

The Art of the Drum Solo with Eric LaPerna 
(a workshop for hand percussionists)

Eric LaPerna
Registration is now open!

Date: October 11, 2014
10:30am - 2:00pm

Location:   Bright Star World Dance, 
108 High Street, 2nd Floor
Portland, ME

Cost:   $90 (register before September 1st)
$105 (after September 1st)

Payment plans are available!

Workshop:

Led by Eric LaPerna of Okbari, this workshop for hand percussionists takes the mystery out of playing the belly dance drum solo.

Participants will learn how to create a drum solo by fusing together the most popular dance rhythms in three different drum solo forms in a way that is easy to understand for both the drummer and the dancer. 

Mr. LaPerna will also cover how to ornament the individual rhythms that comprise a drum solo as well as drum solo improvisation.

The workshop is open to intermediate hand percussionists and is limited to 10 participants. Participants must bring their own instruments.  

The workshop runs for three hours with a half hour break for lunch.  

Eric LaPerna:

Eric LaPerna is a classically trained Arabic percussionist.  During his 27 years of playing hand percussion he studied the iqa'at (rhythmic modes) Riqq, Tabla and Duff with master Palestinian drummer Michel Merhej and Turkish, Armenian and Greek rhythmic systems with Alan Sharvarsh Bardezbanian. 

Mr. LaPerna is the Director of the Bowdoin College Middle Eastern Music Ensemble, and is a member of the Applied Music Faculty at Bates College as well as adjunct instructor of hand percussion at Bowdoin College.  He is a member of  Okbari and also plays with Alhan, Zapion and The Ensalada Early Music Ensemble.

Drum Solo Workshop with Eric LaPerna

Friday, May 30, 2014

Belly Dance on the Boulevard! - Second Sundays

Every Sunday from 9:00am - 4:00 pm Baxter Boulevard in Portland, Maine becomes a car free landscape open to walking, biking and on this summer's second Sundays, belly dance!!!!

This one hour dance is open to all levels; no belly dance experience necessary! 



Belly Dance on the Boulevard with Joie Grandbois

Date: Second Sundays -  2:00 - 3:00 PM (6/8, 7/13 & 8/10)

Location: A shady place (or follow this Google Maps link - https://mapsengine.google.com/map/edit?mid=z99W9BifJ0fM.kZRg9Ows_S9g

(if you don't see us follow the sound of the drums!)

Cost: Free or by donation

Grab your hip scarf and join belly dance instructor Joie Grandbois for belly dance on the boulevard.  Come move, dance and celebrate summer's imminent return.  All levels of belly dance are welcome.  The hour begins with a gentle warm up followed by a low impact belly dance lesson plus time to share movement with open dancing. 

Live music will be provided by drummer Stephen Carpenter! 

Bring yourself, some water, sunscreen and your happy feet!  Hip scarfs will be available for borrowing.  

Sunday, May 18, 2014

Workshop Page Updated

The workshop page has been updated with all of the latest!

To find out where and when I'll be teaching click here!

Belly Beat Basics: (Workshop Cancelled)

“You demystified the drum solo!” - workshop participant, M.P. 

What:  Belly Beat Basics: An Introduction to Rhythm and Creative Dance Improvisation

When: Cancelled

Where: City Lights Theater
             231 Broadway
             Farmington, ME

Cost:  $45 early registration discount (valid through June 1st)
             $50 after June 1 

Performing to live music can be intimidating, performing to live music that is improvisational can seem terrifying. But it doesn’t have to be this way! In our Belly Beat Basics introductory workshop dancers will learn Middle Eastern rhythm basics, gain comfort with live music and learn how to creatively improvise to a drum solo.

The class includes an introduction to rhythm with an overview of instrumentation and a study of four common Middle Eastern rhythms. Dancers will learn how to take the rhythm from the mind and into the body with dance combinations that can be used in practice and performance as well as how to craft their own combinations!

Exercises in stage presence and how to overcome stage fright will aid dancers in creating a greater level of comfort with performance in any setting as we move into drum solo structure. Dancers will learn how to move on and between the beats, how to anticipate what is coming next and how to create emotional connection with the audience. And of course that all important skill, how to communicate with your drummer!


Students will also receive a CD with the four rhythms covered in the workshop and a short drum solo to practice to at home!

While this is an introductory workshop students are expected to have taken at least one session of belly dance classes or have a basic understanding of belly dance movement. In order to facilitate free exploration we seek to create a safe space for all types of dancers to explore creative expression. Mistakes are not only expected, but encouraged.


All genders are welcome.





Saturday, April 12, 2014

Creative Commitment - Art and Loneliness

It was nearly three years ago that I made a commitment to living a creative life.  As part of this I made many changes. During these three years I started back to school to learn more about business, I intensified my study of dance, I began to write every day, I dedicated more time to my variety show troupe, I started seeking other avenues of income and I began teaching dance. It has been rewarding in so many ways but there have also been moments where I have struggled with feelings of loneliness and isolation.

Some of this I simply attributed to factors of time and money.  Prior to making this decision I had well paying (and super stressful) 9-5 job and a very busy social life.  I was out nearly every Friday night.  Saturday and Sunday morning brunches were a regular occurrence and it was very rare for me to decline a party invitation. These days my Friday and Saturday nights, and many other nights of the week, when I do not have a performance booked, are often dedicated to doing homework, costume creation, promoting or dance and music practice. Though I am far closer than I was three years ago, I am not yet at the point of being able to fully sustain myself on the income from my artistic endeavors and what I do make from my very part-time job just covers my expenses.  This quickly made nights out dancing and weekend brunches a thing of the past.

Yet even taking this into account it seemed that the feelings I was struggling with were due to more than just lack of time or money.  When I would get together with friends, after the general what-have-you-been-up-to-these-past-few-months conversation during which we'd share the ups and downs of our lives, I would often hear some version of the following phrase, "I wish I had the guts (will, courage, etc) to do what you are doing.  I don't know how you do it"  After which I'd say something along the lines of, "Well, it isn't easy but I wouldn't change it for anything, and I'm sure if you found something that called to you as much you'd find a way to do it too."

And more often than not I'd leave the interaction feeling like something was missing and no understanding of what that something might be.

This morning I found myself musing on these thoughts again and decided that some other artists out there must struggle with similar feelings.  So I did want anyone who has an unanswered question does these days. I googled "art and loneliness."  Which is how I came across Art & Musings and the blog post titled "Loneliness - The Burden of Artists."  And it began to dawn on me what was lacking.

While I don't agree with everything the author writes (I am pretty sure my friends don't think I sit around watching TV and napping all day) I do connect very much with her desire to find other humans beings who are walking a similar path as she; other people who can relate to the level of commitment this lifestyle demands and perhaps help fulfill a deep desire for understanding.  It makes perfect sense.  I mean when I worked a 9-5 job I had my coworkers to commiserate with and as a student I often find that I can connect similarly with other students I attend school with.  In fact in writing this now I feel a bit like I've just walked into The Wall of Obvious.

And the thing is I do know people doing similar things.  It just has not occurred to me, perhaps due to time constraints or more likely sheer obliviousness, to take the steps to cultivate closer friendships with them. Obviously this is something I need to change.

I'll close this post with two queations to my fellow artists.  Do you find that you encounter similar feelings as those I've written about above?  What do you do to cultivate connection?

Monday, January 13, 2014

Theatrical Belly Dance - Winter 2014

Date:        Thursdays, 7:30 PM
                 2/20 – 4/17 (eight classes - no class 3/13)

Cost:         $70 full session/$10 drop in

Location:  Bright Star World Dance
                 108 High Street, Portland, Maine


Theatrical belly dance blends the emotion, drama and storytelling of the theater with the beautifully passionate and expressive art of belly dance. By connecting emotion with movement through a combination of dance drills and improvisational theater exercises the dancer discovers, and learns to express, her creative voice.

In each class students will explore movement to both recorded and live music with an emphasis on improvisation. Classes begin with a centering exercise and warm-up drills followed by a class focus. Topics covered include:

  • emotional movement
  • rhythm exploration
  • musicality
  • theatrical improvisation
  • choreography
  • character
  • and more
The classes are open to any dance student who has taken a minimum of at least one full session of belly dance classes.

Each individual brings their own history and personal story to the dance. In recognition of this we seek to create a safe space for students to explore, and step beyond, the current boundaries of their dance.

Registration:

Theatrical Belly Dance - Winter/Spring

Monday, January 6, 2014

Zeigfeld Follies

Yesterday my performance troupe, Dark Follies, gathered to share a New Year's Eve brunch and to watch the film that was one of the inspirations for the troupe's name and show style, "Ziegfeld Follies."

Watching that film brought me back to when I was a child and first saw it. The last time I saw the film I was about nine years old; too limited in experience to understand some of the comedy or to pick up on some of the racial stereotypes presented in performances such as Fred Astaire's appearance a Chinese laborer in Limehouse Blues. What I do remember feeling nearly overwhelmed by the costumes, the sparkles, the music and oh the dancing!

When I watch films like "Ziegfeld Follies" or any such old style Hollywood musical/dance film I find a lot of inspiration.  What strikes me the most about them (aside form the glorious over the top splendor) is the artistry involved. Everything from the sets (which would today be done almost exclusively with CGI) to costuming to lyrics, everything is done with such intent. Nothing is unnecessarily a part of the performance and the performers, whether singer, swimmer, dancer, comedian or musician do what they with so much skill and know their parts so WELL that the life and voice of the character is able to fully sing.

While I think of my solo creative work and that of the troupe I realize I want to bring just that sort of artistry to my performance.  While neither I nor the troupe have the funds or time to put on events of Hollywood scale, I do believe we can create performances with that same artistry and intent. In fact I think back to another inspiration for the Follies, the street performers I saw in Boston as a child, and how they were able, with minimal props and costuming, to put on a short show that was as creative and engaging as any old school Hollywood or Broadway show.

Being on a small stage or having a small band or having basic costuming need not limit us - the only limitation is that of our own bodies and amount of effort we are willing to put into our creative practice.

Thursday, January 2, 2014

Burlington, VT - Theatrical Dance Improvisation and LIVE music (Intensive)

I am very excited to be co-teaching this workshop with drummer Stephen Carpenter on February 1st in Burlington, VT!  Come join the fun.  

Registration information can be found here: Register

Theater has scripts. Dance has choreography. Music has arrangements. However each of these art forms also has a long history of improvisational performance. In this four hour intensive we combine the improvisational techniques of the theater, belly dance and middle eastern music to create expressive theatrical performance.

Theatrical belly dancer Joie Grandbois and musician Stephen Carpenter bring together their performance experience on both sides of the drum to bring this unique workshop to you.While improvisation can be intimidating, they seek to create a safe space for dancers to explore creative expression and where mistakes are not only expected, but encouraged.

Topics covered include:

Rhythm 101 – We often tend to intellectualize music (Wait was that a doum? A tek? How many counts? 1,2,3...uh...9?). Learn the basics of Middle Eastern rhythm in a fashion that moves them out of your head and into your body.

Off the “Beat”en Path – we most often keep our accents on the beat but you can also dance around the beat, using the rhythm to accent the peak of a movement, moving within the silence between beats and exploring melody.

Mood Combinations – There are particular belly dance movements lend themselves to expressing certain emotions. Combining these movements allows you to create a moment of dynamic emotional expression on the fly.

Storytelling – you may not know the music you are about to dance to but that doesn't mean you can't have a plan (and what to do when you don't have one!)

Conversation – Performance to live music is a collaboration between musician and dancer yet sometimes it can seems like we speak different languages. How to communicate with the musicians you perform with before, during and after the show.

And more!!!

The workshop is open to dancers who have attended at least two fulls sessions of a belly dance class and have solid understanding of basic belly dance technique.

Bio:

Joie Grandbois

Dancer, choreographer, musician, writer…storyteller. Whether she is using the medium of dance, rhythm or words Joie seeks to bring to life the character present in a creative work. A lifelong dancer Joie entered the world of belly dance through the side door of raqs gothique after falling in love with its dramatic storytelling nature. Her dance explorations have also led to a study of cabaret and Turkish styles of the dance expanding her love of the art form. She is also a student of Middle Eastern percussion, specifically the riqq, and has a love of playing the zills. Blending the arts of music and theater with the improvisational nature of belly dance she brings drama, humor and an appreciation for the unexpected to the stage.

In teaching theatrical belly dance Joie seeks to share not only technique but to also create a safe space for dancers to explore and step beyond their creative boundaries. She hopes to initiate the conversation between artist and muse so that each dancer may connect with and express their own unique voice.

She is the founder and director of the street vaudeville performance troupe Dark Follies which formed in 2008 and performs as a solo artist around New England.. She teaches Theatrical and Exploratory Belly Dance in Portland, Maine at Bright Star World Dance. www.joiegrandbois.blogspot.com www.darkfollies.comjoiegrandbois@gmail.com


Stephen Carpenter

Stephen Carpenter, has been studying hand percussion for most of the current century with a particular focus on the rhythms of the middle east. Stephen has played with variety of performers in Maine and around New England in both stage and classroom settings. Through the voice of the drum and ney he seeks to create a conversation between the music, dancer and audience. He is a founding member of the band Spoonmaker's Diamond and for the past four years he has been the musical director for the Portland, Maine based street vaudeville troupe Dark Follies. Stephen is also a professional woodworker who crafts many of the instruments he plays upon.